illustrator

Illustrator Gregory Garay

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GregoryGarayI’m a blactino artist who is a Bronx native, Brooklyn Affiliated, and a Pittsburgh transplant. My mission in life is to bring great visual story telling with people of color as lead characters. I love to illustrate and animate. For more information visit my website at www.gregorygaray.com

GregoryGaray_art2 GregoryGaray_art1
 
 

Ellis and The Magic Mirror

by Cerece Rennie MurphyEllisAndTheMagicMirrorCover
Illustrator Gregory Garay

Paperback: 37 pages
Available at Amazon
 
Ellis and The Magic Mirror is about a young boy who finds a magic mirror and discovers that there is a secret society of trolls hiding out at his school that is trying to prevent children from learning.  The book takes readers on an action-packed adventure as Ellis, his best friend, Toro, and his little sister, Freddye head deep into the forest to solve the mystery of the mischievous trolls.

To see more books and authors visit InsideTheBooks.com

A Book Publishing Company Needs Your Help

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PrintHello Everyone, I applied for the Chase Mission Main Street Grants for my children’s book publishing company, Worlds To Discover, and would appreciate your help in getting 250 votes needed to be considered. (Click to vote: http://bit.ly/CMMSGrant).  

To vote, you will be required to connect with Facebook. They will not store or share your personal information. – See more at: missionmainstreetgrants.com

My company, www.WorldsToDiscover.com, is a children’s book publishing company and this grant would be a great help in getting more books published.

*Mission Main Street Grants is a program from Chase that helps small businesses. Two million dollars in grants will be awarded to 20 small business by Chase.

I really hope you can help me reach my goal of 250 votes. 

Warmly,  

JMcManus

Day 10 of 28 Days of Children Books By African American Children Book Authors: Loving Me by Angelot Ndongo

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LovingMeLovingMe
by Angelot Ndongo

Paperback: 16 pages
Available on Amazon

This charming book delivers an ample dose of self-esteem to young girls. It gives parents the opportunity to provide an original and important piece of work, which makes way for positive reinforcement to begin during a young girl’s most important time…her formative years. Girls of black/African descent can finally learn about their beauty in a positive light! Furthermore, girls from all walks of life can be inspired by the main character’s high level of self-esteem as she delights in all the things that make her so wonderful and special as a girl! This uplifting literary work, will inspire all young girls to grow with self love and acceptance for their unique qualities.

To see more books and authors visit InsideTheBooks.com

Day 9 of 28 Days of Children Books By African American Children Book Authors: Ziggie Tales Illustrated by Naomi Robinson – Written by Kathleen M. Wainwright

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Ziggie Tales Front Cover.inddZiggie Tales
by Kathleen M. Wainwright
Illustrated by Naomi Robinson

Paperback: 58 pages
Available on Amazon

Ziggie doesn’t care for watching the kids have fun in the park from the window. He would much rather be outside enjoying the sunshine with them. One day when the front door is accidentally left open, Ziggie can’t resist! He makes a run for it and the adventure really begins. But soon things change, and what he thought was going to be a great time, isn’t so great after all. Ziggie is alone, and he is worried that he may never make it home. What will happen after he spends a stormy night outside?

To see more books and authors visit InsideTheBooks.com

Inside the Book Interview with Naomi Robinson, Artist of Greeting Card Series: Sister to Sister

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Article first published as Interview: Naomi Robinson, Mixed Media Artist of Sister to Sister Greeting Cards on Blogcritics.

Hello Everyone,

How are you doing?

Welcome to Inside The Books. This is JMcManus with another post for you. Today’s post will introduce you to mixed media artist Naomi Robinson.

Born in Notting Hill, West London, United Kingdom, Naomi Robinson always loved drawing. Her mother said she started drawing as soon as she could pick up a crayon. Around the age of six she remembers getting a box of 36 oil crayons and an oversized sketchbook and nearly finishing the entire sketchbook in one day. She loved to draw clowns and was fascinated with the colors, clothing, and face painting.

Now she’s a mixed media artist who mainly illustrates greeting cards, book covers, and merchandise such as t-shirts as she builds up her clientele in the children’s sector. She has two main styles that she works in. The first style includes mixing dip pen, ink, tea-stained/textured papers, watercolor, and scanned images that are finished in Photoshop, and the second style includes computer-based scanned sketches which are re-drawn in Illustrator and finished in Photoshop.

First let me thank you for taking time to do this interview. You have a very vibrant and fun illustration style that really lends itself to greeting cards. Where did that style come from?

My style is a work in progress and developing with each project. I think my style comes from my love for drawing. All my ideas come from constantly sketching. I like to focus on a strong line, pattern, complementary colors and playful compositions.

What was the first greeting card series you worked on?

I have worked on a few greetings card series some of which I self-publish. The most popular was my cupcake range, a series of 11 card designs. It’s still growing and a US card publisher has now licensed them.

Can you describe for us your start-to-finish process when working on a greeting card series?

Once commissioned by a publisher, you will receive your text or concepts. I’ll do some image research for theme or topic, then brainstorm and sketch out ideas. I may at this point send the publisher some roughs before I start final artwork. I create artwork and finally send the final artwork to the publisher or directly to their printer.

One of my favorite cards is part of the Sista to Sista collection: “Keep your head up, Never let them see it hanging low…” A beautiful card with a beautiful woman smiling. Can you tell us about the Sista to Sista project and the process you went through for creating each card?

Sister to Sister was such a special collaboration between Hudson & Brown and myself. The project was perfect for my style and the work I love to create. A brand focused on empowering women – written by women, designed by women and for women. I received the text and it instantly spoke to me visually. Hudson & Brown gave me free range to create whatever I liked because they loved what they had seen from my portfolio and truly believed in me as an artist and card maker.

I wanted the cards to be beautiful, bold, colorful and contemporary. I also aimed to keep them coherent as a series by keeping my palette limited with a neutral undertone.

Do you ever get to write the verbiage for the greeting cards or is it always given to you?

With Sister to Sister I was given most of my text, and I was lucky enough to write some of their cancer support cards such as the card entitled My Hand.

Is there any project you would like to illustrate in the future?

This year I’m eager to work on more children’s book commissions so that is my focus. I love pattern and surface design so will be doing some projects towards that also. And I’m sure I’ll create some more illustrations for Sister to Sister/Woman to Woman Greetings.

What has been your favorite project to work on?

My favorite projects are the ones that help me develop my thinking as a creative and push me to be a better illustrator. I like a challenge and when reviewing my work it is important to me to see growth and improvement.

You’ve been working as an illustrator for years; has the new technology affected how you work on new projects?

I’ve been lucky because I was growing up in the age of the computer. I first created art on a computer when I was 10 years old and as I have developed as an artist in turn computers and packages have improved, making everything easier. I think my day job as a graphics designer really helps because it always ensures I am up to speed with the latest creative applications. Although working “traditional” is great because you can’t beat the feeling and ease of drawing in a sketchpad or painting on canvas; everything ends up digital so it is very important to be versatile.

Are you currently working on any projects that we can look forward to?

I’m working on a few, a secret little book for little girls, an alphabet book project and a new online card and t-shirt shop.

Is there anything else you would like to share with us?

I’d just like to take this opportunity to thank you for asking me to do this interview.

Thank your for sharing some insight on your talent. Where can people find out more information about you and your work?

My website is a good starting point as it has links to everything.

If you want to see how I work or ideas come, where I’m exhibiting or my latest achievements, my blog is very good.

I have a little Etsy shop where you can buy a few limited edition cards and products.

And finally you can all pop by and say hi via Facebook.

—————

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Inside The Book of Mama's Boyz w/ Jerry Craft by JMcManus

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Article first published as Interview: Jerry Craft, Creator of Mama’s Boyz on Blogcritics.

 

 

 

Welcome back everyone!

 

This is JMcManus with another Inside The Book interview. My interview today is with Mama’s Boyz creator Jerry Craft who was born in the Washington Heights section of New York City. He won his first art contest in third grade and remembers as a youth creating comic strip versions of movies he saw to send to his brother who was a marine stationed in Japan.

He has worked on various comics and graphic novels including six issues of Sweet 16 for Marvel Comics, four issues of New Kids on the Block, three Mama’s Boyz graphic novels/anthologies as well as illustrations for seven children’s books. He has also had his work in two Chicken Soup for the Soul books as well as the newly released Moving Diversity Forward published by the American Bar Association.

The first comic he worked on was with Barbara Slate who created the “Sweet 16” series. She taught him a lot of what he knows today.

In 2006 he decided that it was time to work on his own series. He left his job as an editorial director of Sports Illustrated for Kids and started his Mama’s Boyz series.

List of awards:

  • Three African American Literary Awards for Best Comic Strip
  • Profile Magazine Award of Excellence (2009)
  • 2007 “Conversation Starter Award” from the DC Campaign to Prevent Teenage Pregnancy
  • Two ADA Outstanding Supporter Awards from the American Diabetes Association
  • National Cartoonists Society Award Nominee (2000)
  • Glyph Award Nominee

First let me thank you for taking time to do this interview. You have a very vibrant and fun illustration style. Where did the style for Mama’s Boyz come from?

It actually was a long time in the making. For years I didn’t have a style of my own because I always had to match someone else’s style. Then it just evolved over time. The way the characters look in my first book are really different than how they look now.

Can you describe for us your start to finish process when working on a comic strip?

I start with the idea, which usually just pops into my head as I’m going about my day. I never sit down to actually think of ideas. Then I do a rough sketch where I work out the dialogue and what pictures I’m going to draw. Then I do my final version on a nicer grade of paper. Finally, I scan it and color it in Photoshop. Then I email it each week to newspapers around the country. And I’m always looking for new clients.

What is your hope for the Mama’s Boyz series and are you working on starting any new series?

I’m currently starting my fourth Mama’s Boyz book. So far each one has been better and more popular than the last. In fact, Mama’s Boyz: The Big Picture was written up in the School Library Journal. That was a really big deal for me. I’d love to eventually see it animated, either on TV or for a DVD, but that may still be a while for that to happen.

Tell us about Mama’s Boyz: The Big Picture.

Well I used the basic premise of A Christmas Carol and had Yusuf, who is 16 years old, be visited by four phantoms. But these are all versions of how he COULD turn out if he doesn’t start to see his life as “The Big Picture.” One version has a weight problem because he eats poorly and doesn’t exercise (too much Xbox). The next version is a seventy year old who still wears his pants hanging off his butt and has multiple tattoos. Next is a version who tells him about the importance of family, and the last is how he could turn out if he drops out of school.

I like the old Fat Albert style of using humor to teach positive life lessons.  I just want to show kids from 7-19 that the decisions they make today can affect them for the rest of their lives. That tattoo that you get on your face not ain’t gonna be so cute when you’re 80!

I think that’s great and one of the reasons the characters of Mama’s Boyz has been featured as spokes characters for various organizations. Can you tell us where they have been featured and what it meant for you?

I’ve used my characters to teach kids about childhood obesity for the American Council for Fitness and Nutrition; to educate them about diabetes for the American Diabetes Association; and even in conjunction with the DC Campaign to Prevent Teen Pregnancy.

I love to be able to use my characters to do more than just make folks laugh. Plus it encourages even reluctant readers to read. That’s why I’ve had so many schools and libraries ordering my books. I even did work with Donate Life! America to educate people about organ and tissue donation.

Along with producing your comic strips you also illustrate books for others. How has the experience been for you?

I LOVE doing children’s books. It seems as if my niche is becoming someone who works directly with authors to help them produce their books. I’m about to start my eighth children’s book. I work directly with the author and do all of the illustrations, some editing, the coloring… and even the layout. So I’m a one-stop shop. All I need is the story and I’ll give you back a finished book that’s ready to be sent to the printer.

It’s been great working directly with the authors. Especially when they see their book for the first time. For some of them, it’s been a lifelong dream. I’ve seen smiles, I’ve seen tears of joy… it’s awesome to be a part of it all. A few, like Lori Nelson (Hillary’s Big Business Adventure), have hired me to do a second book. And Sabrina Carter has come back for thirds (Please Don’t Yell at We!; My Hair is Curly; Please Won’t You Listen to Me?)I may be stuck with her for the rest of my life!

I like the fact that these books have all been near and dear to their hearts. Margo Candelario wrote a book about her three daughters dealing with the loss of their dad called Looking to the Clouds for Daddy. It’s a great book for any kid who has lost a loved one. But a big publisher may never take a chance on a book like that since it probably won’t sell a million copies. But it’s an important book.

And Dr. Courtney Davis wanted to teach people about all of the great things about where she lives with A is for Anacostia, a really cool community outside of Washington, DC.

What has been your favorite project to work on?

It’s really hard to pick one since I love to draw and I don’t take on any projects that I don’t like and won’t be proud to show to my own kids. I have two sons who act as my editors. I also have fun doing Flash animation, check out Confronting the Black Superheroes of My Childhood and The Randy Moss Driving School on YouTube.

You have been working as an illustrator for years, has the new technology affected how you work on new projects?

Definitely. The cartoons I just mentioned are done in Flash. I drew all of the artwork directly on the computer as opposed to on paper, then scanning it. And with the Looking to the Clouds for Daddy book, I used photographs along with my illustrations. Plus I can do an entire book on my own, without help from anyway. That’s great!

Are you currently working on any projects that we can look forward to?

I just finished writing two novels aimed at the middle grade/young adult market. And these are full chapter books. The one that I did on my own is over 50,000 words. I think it’s one of the best things I’ve ever done. The second was written by networking superstar George Fraser (frasernet.com) and his sister Emma about their lives growing up in the foster care system. Both have just been completed so I’m in the process of shopping for either an agent, or submitting directly to a publisher. So I’ll take any advice that your audience would like to offer.

Is there anything else you would like to share with us?

Well the biggest thing is that people like me can not exist without support. It’s not enough to say “keep up the good work.” All of the money that I make goes back into creating new products. I’d eventually like to have 10 Mama’s Boyz books! So it’s important to keep us in mind when shopping for birthdays and the holidays, or just in general. And if you like it, don’t keep it a secret, ask your friends to by them of their kids. And as people of color, we need to stop feeling nervous about giving books about “us” to kids outside of our race. People give my kids books based on white characters all the time without thinking twice. But it almost never works in reverse. But not only does it help the authors, but it helps kids see us as regular people and not always just as historical figures such as Rosa Parks or Dr Martin Luther King, jr. The more they read about just regular kids, the easier it is for them to expand how they look at people who are different than they are.

Where can people find out more information about you and your work?

You can follow me everywhere except around my house. On Facebook I’m Jerry Craft, same for Twitter. And my website is mamasboyz.com.  I even have a monthly newsletter you can sign up for.

You can also reach me directly via email at jerrycraft@aol.com

Thanks for your support!!!

And thank you Jerry for taking time to share with us about your projects.